WILLEM GOMMAAR KENNIS (1717-1759): Salve Regina for 5 Voices, 2 Violins, Cello and Continuo, Magnificat for 5 Voices and Continuo, Trio Sonata in B Flat, Op. 2/1, Sonata in G for Violin and Contnuo, Op. 3/6, Te Deum for 4 Voices and Continuo, CHRISTOFFEL DRYMANS (1738-1797): Lamentatio prima in Coena Domini for 4 Voices and Continuo.

Description: A rare trip into the late Flemish baroque for this “Flanders’ Fields” series, and it’s a very conservative baroque too with mid 17th-century sacred works still written with basso continuo and two instrumental sonatas which shoe a pre-classical three-movement form (slow-fast-fast and slow-fast-aria). Utopia, Euterpe Baroque Consort; Bart Rodyns (organ, harpsichord).